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Yiddish Summer Weimar
09: July, 1st
- August, 7th
"The Other Europeans"
Kalman Balogh (Hungary, cimbalom)
Alan Bern
(USA/Germany, accordion/piano)
Daniel
Blacksberg
(USA, trombone)
Georg Brinkmann (Germany, clarinet)
Paul Brody
(USA/Germany, trumpet)
Marin Bunea (Moldova, violin)
Diana
Bunea (Moldova, Ethnomusicologist)
Vasile
Bunea - (Moldova, trombone)
Tom Burke
(USA, voice)
Anatol
Ciobanu (Moldova, accordion)
Victor
Ciobanu (Moldova, drums and cimbalom)
Efim Chorny (Moldova, voice/composition)
Matt
Darriau
(USA,
flute/Es-clarinet/saxofon)
Rosi Dasch
(Germany, voice/violin)
Christian
Dawid
(Germany, clarinet)
Zev
Feldman
(USA/Israel, dance/tsimbl)
Avishai
Fisz (Israel, Yiddish)
Arkadi
Gendler (Ukraine, voice)
Susan
Ghergus (Moldova, piano)
Dorothea
Greve
(Germany, Yiddish)
Constantin Lachi
(Moldova, trombone)
Franka Lampe (Germany, accordion)
Tcha
Limberger
(Belgien, voice/violin)
Sanne
Möricke
(Germany, accordion)
Katharina
Müther
(Germany, voice/accordion)
Csaba Novak
(Hungary, bass)
Pavel Popa
(Moldova, dance master)
Vaniusha Popov -
(Moldova, trumpet)
Petar Ralchev (Bulgarien, accordion)
Stas Rayko
(Ukraine/Germany, violin)
Adrian Receanu (France, clarinet)
Mark Rubin
(USA, bass/tuba)
Fabian
Schnedler
(Germany, voice)
Guy Schalom
(United Kingdom, percussion)
Andreas
Schmitges
(Germany, dance master)
Annette
Siebert (Germany, violin)
Adam Stinga (Moldova, trumpet)
Steve Weintraub (USA, dance master)
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Kalman Balogh (Hungary, cimbalom)
 has
grown up with authentic folk music, but also studied
classical music. He graduated as cimbalom teacher from
the Liszt Academy, Budapest in 1980, studying under
Ferenc Gerencsér. In 1985 he was awarded the Hungarian
distinction of "Young Master of Folk Arts", and two
years later he won second prize in the Aladár Rácz
cimbalom-competition. He plays mostly authentic folk
music from Hungary and from the Balkans, though during
the last years he has played with jazz groups, rock
bands and a symphony orchestra, too. As an artist he has
performed with such Hungarian bands as Jánosi, Ökrös,
Téka, Méta, Muzsikás, Zsarátnok, Vízöntő, Vasmalom, the
Swedish Orient-Express, the Dutch Sultan and Ot Azoj,
the English Transglobal Underground, the American Peter
Ogi and the Joel Rubin Jewish Ensemble. He was musical
director of the "Magneten Gypsy Show" of Andre Heller
and also performed on a CD with the Budapest Festival
Orchestra playing Brahms' Hungarian Dances. In 1997, he
performed with the Brooklyn Philharmonic Orchestra and
also with the Miami Philharmonic Orchestra.
http://www.balogh-kalman.fw.hu
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Alan Bern
(USA/Germany, accordion/piano)
 program
director of the Weimar Workshops and leader of BRAVE OLD
WORLD, Alan Bern is considered one of the finest
pianists, accordionists and composers in Jewish music
today. He has performed and recorded with the KLEZMER
CONSERVATORY BAND, the KLEZMATICS, Andy Statman, SHIRIM,
KAPELYE, Itzhak Perlman, Seymour Rexite, the SYMRNA
TRIO, PARIS-TO-KIEV, and many others. Bern is also
renowned as a teacher and workshop director, in which
capacities he works regularly at Klezkanada (Montreal),
Klezfest (London), Klezmer Wochen (Weimar) and
elsewhere. His compositions have received awards in the
USA, Europe and Israel. Bern also writes and directs
music for theatre and modern dance. In 2006, he earned a
doctorate degree in Music Composition at the
College-Conservatory of Music, University of Cincinnati.
A native of Bloomington, Indiana, he lived for many
years in Boston and Brooklyn and has been based in
Berlin since 1987.
www.braveoldworld.com |
www.myspace.com/alanbern
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Daniel
Blacksberg
(USA, trombone)
 a native
of Philadelphia Pennsylvania, has become involved in
klezmer music only in the last few years. In that short
time, he has played with many of the field's top artists
such as Frank London, Michael Alpert, Alan Bern, Hankus
Netsky, Adrienne Cooper, Alicia Svigals, Michael
Winograd, Alex Kontorovich, Daniel Kahn, Aaron Alexander
and the Shirim Klezmer Orchestra. He has appeared at the
Krakow Jewish Music Festival, at the Ashkenaz Festival
in Toronto and Klezmer Festival Fürth as well as many
concerts all across the US and Europe. He has taught at
both Klezkamp and Klezkanada.
Dan received his Bachelor of Music in jazz performance
from the New England Conservatory, where he completed
studies with Bob Brookmeyer, Joe Morris, Ran Blake, Joe
Maneri and Hankus Netsky. He remains deeply involved in
the world of jazz and creative improvised music and has
performed with Joe Morris, Joe Maneri, Gunther Schuller
and Anthony Braxton. He has been a member of the Danilo
Perez Big Band and is on the recent release The Panama
Suite.
www.danielblacksberg.com
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Georg Brinkmann
(Germany, clarinet)
Georg Brinkmann is originally from Bonn/Germany. He
studied musictherapie and worked in this profession,
before he decided to be a klezmer-musician - also
because of his experiences at Yiddish Summer Weimar.
He has played or plays still in the Klezmerbands
huljet, fir, modern klezmer quartet
and nu, he is a guestmusician at Budowitz
and Duo Wajlu.
He is also playing in projects of classical and
improvised music, accompanies storytellers and composes
theatre-music from time to time. He toured in Israel,
Canada, Poland, Russia and USA. He taught at
Klezmerfestival Fürth, Alanus Akademie Alfter and
Klezmertage Burg Fürsteneck.
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Paul Brody
(USA/Germany, trumpet)
is from
San Francisco and studied trumpet and composition at
Boston University and the New England Conservatory. His
band, Paul Brody's Sadawi, has its third CD on the
legendary Tzadik label. The latest recording 'For the
Moment' features, John Zorn, Frank London, and Michael
Alpert. Paul lives in Berlin and has worked with such
greats as Barry White, Wim Wenders, The Supremes, Blixa
Bargeld and The Einstürzende Neubauten, Theadore Bikel,
Sophie Solomon, Cora Frost, Die Geschwister Pfister, Ari
Benjamin Meyers and The Redux Orchestra, Carlos Bica,
Socalled, Anthony Coleman, Khupe, Michael Rodach, Frank
London, Harold Junke, The Klezmer Conservatory Band, The
Duke Elington Review (Broadway show), David Moss, Shirly
Bassy, Ed Schuller, Tony Buck, Gale Tufts, Rudi Mahal,
Katharina Talbach, Billy Bang, Bob Moses, David
Krackauer, and many more. He has been featured at many
major festivals including the Berlin Jazz Festival,
Krakow Jewish Culture Festival, Donauschingen Music
Festival, Minsk Jazz and Klezmer Festivals, Vienna
KlezMORE Festival, Paris La Musique Fest, Warsaw Jazz
Festival, Vilnius Yiddish Music Fest, the Prague Nine
Gates Festival and he has composed the music for various
film and theater projects. In addition to his solo
career, Paul composes and produces children's music for
the Oetinger Publishing house and WDR radio. His
children’s songs have been on the top 10 number one hits
at WDR radio and on a 'Favorite Songs' sampler put out
by EMI records.
www.paulbrody.net
www.myspace.com/paulbrodyskidsmusic
www.myspace.com/paulbrodysadawi
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Marin Bunea (Moldova, violine)
 was born
1969, in a small town at the north of Moldova, named
Donduseni. His father and grandparents were fiddlers.
Marin plays violin from 6 years old and graduated from
Chisinau conservatory in 1997, in the class of Valeriu
Hancu. He played in several bands and performed in many
countries, such as Belgium, France, Germany, Turkey,
Italy, Russia and the Ukraine. His repertoire includes
traditional Romanian music, fiddler's music, classical
music and many traditional pieces of different nations.
At the moment Marin plays in one of the most famous
traditional restaurants from Chisinau, "La Taifas".
http://youtube.com/watch?v=wj_1lOsR5CM
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Efim Chorny
(Moldova, voice/composition)
 is
one of the most important protagonists in the revival of
Jewish culture in Eastern Europe. Efim's characteristics
of a charismatic presence, exceptional voice, great
humour and temperament make him a successor of the great
tradition of Yiddish Song; a tradition in which he lives
and which he personifies. More than 30 CDs of Klezmer
groups contain a number of his songs. These songs are
singing (in repertoire) by world-known Jewish performers,
such as Adrienne Cooper, Shura Lipovsky and others.
Efim is a leader of "Theatre of Jewish Song" (Kishinev)
and soloists of "Klezmer Alliance" (German-Moldova-England).
Together with "Klezmer Alliance" he performed more than
150 concerts in Europe.
www.myspace.com/klezmeralliance
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Matt
Darriau
(USA,
flute/Es-clarinet/saxofon)
 saxophonist,
clarinetist, ethnic-woodwind specialist and composer has
made several innovative contributions to the New York
music scene. His background in the fertile and eclectic
milieu of the New England Conservatory of Music’s Third
Stream Program in the early 80’s, and the continued
practice of Balkan, Klezmer and Celtic folk idioms, have
helped shape his esthetic and passion for creating new
and unusual music. He is active as composer-musician in
the Klezmatics, Paradox Trio (His veteran Balkan - Jazz
fusion group, 3 CD's on the Knitting Factory label and
the most recent CD, GAMBIT, on the ENJA label), Ballin’
The Jack (avant-swing septet - 2 CD’s on KF records),
Disastro Totale (with Yuri Lemeshev of Gogol Bordello),
Roberto Rodriguez Septet (Tzadik), FRANK LONDON’S
Klezmer Brass Allstars (Piranah) and his recently formed
Yusef Lateef project and the Recycled Waltz Orchestra.
He has been awarded grants and commissions from the NEA,
Chamber Music America (2005) and is a regular in New
York’s downtown jazz scene.
www.myspace.com/mattdarriau
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Rosi Dasch
(Germany, voice/violin)
 born 1963
in Marl, studied violin at the Musikhochschule Köln and
voice privately. Her intensive engagement with Jewish
culture and music led to her founding the ensembles
PAYKELE in 1987 and LEWONE in 1996. She participated in
seminars led by Giora Feidman and met there her duo
partner , Katharina Müther (DUO WAJLU), with whom she
gives seminars. Roswitha Dasch has worked closely with
numerous Jewish folk music ensembles for many years. In
1998 she presented a concert of songs and texts from the
Vilna Ghetto in the German Parliament. She has created
an exhibition devoted to this topic and made a
documentary film „Sage nie, du gehst den letzten Weg“
with filmmaker Sabine Friedrichs.
www.wajlu.de |
www.roswitha-dasch.com
________________________top_______________________________
Christian
Dawid
(Germany, clarinet)
 studied
Western classical music, went on to diverse stylistic
experiences from a capella pop to alpine brass music to
finally specialize in Yiddish instrumental music.
Counting as one of today's leading klezmer clarinetists,
he has performed extensively throughout Eastern and
Western Europe and North America. He has worked with
numerous international artists, among them Boban
Markovic, Frank London, Brave Old World, Socalled,
Theodore Bikel, Lorin Sklamberg, Smyrna Trio,
Strauss/Warschauer Duo, Shura Lipovsky and DJ Yuriy
Gurzhy. He has been teaching at festivals and academies
from Canada to Russia to Japan, such as Yiddish Summer
Weimar, KlezKanada, Klezfest St Petersburg, Klezmer
Paris, Klezkamp, Klezfest London or the Jewish Culture
Festival in Cracow. His latest recordings include two
highly acclaimed CDs, Budowitz: "Live" and Paul Brody's
Sadawi: "For the Moment". Dawid also plays for Khupe and
his newest, widely noticed project, the Ukrainian
hipster family brass band, Konsonans Retro. In between,
he lives in Berlin.
www.konsonans.com |
www.khupe.de
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Zev
Feldman
(USA/Israel, dance/tsimbl)
 is
a leading researcher in both Ottoman Turkish and Jewish
music, and a performer on the klezmer dulcimer, tsimbl.
During the mid-1970s he and Andy Statman studied with
Dave Tarras and were two of the creators of the klezmer
revival; at that time Feldman reintroduced the dulcimer
tsimbl into klezmer music with his classic LP “Jewish
Klezmer Music”. Today he performs with the group
Khevrisa and elsewhere. Having grown up with traditional
Ashkenazic, Greek and Armenian dance, during the 1970s
he researched and taught Turkish folkdance. Today
Feldman is a teacher and performer of Ashkenazic dance,
leading workshops in the U.S., Canada, England, Germany
and Israel. Zev is a part-time associate professor at
Bar-Ilan University (Tel-Aviv) and a fellow of the
Center for Jewish Music Research at the Hebrew
University, Jerusalem. He was a co-editor of the
Medimuses Project for Modal Musics of the Mediterranean
for the EnChordais School in Thessalonica, Greece. In
2004 he co-directed the successful application of the
Mevlevi Dervishes of Turkey for the UNESCO proclamation
of the masterpieces of the oral and intangible heritage
of humanity. In 2003 he curated the concert series “The
Revival of Klezmer and Yiddish Music in New York” at the
CUNY Graduate Center. He was the artistic director for
Jewish music at the 92nd Street in New York, and was the
artistic director of the series “Music and Dance of the
Jewish Wedding” (2004-2007) and "Music of the Mystics"(2005).
Today he is teaching klezmer music at the Rubin Academy
of Music in Jerusalem.
________________________top_______________________________
Susan
Ghergus
(Moldova, piano)
studied
piano at the Music Conservatory in Kishinev and is a
longstanding specialist in the accompaniment and
arrangement of Jewish song. She is highly experienced in
classical piano techniques and is an expert in the style
of Jewish dance music. This combination makes her an
outstanding musician as she is able to blend Klezmer
rhythms with the melodies of Yiddish songs stylishly
with a Jewish, Bessarabian flair.
Susan is a leader of "Theatre of Jewish Song" (Kishinev)
and soloists of "Klezmer Alliance" (German-Moldova-England).
Together with "Klezmer Alliance" she performed more than
150 concerts in Europe.
www.myspace.com/klezmeralliance
________________________top_______________________________
Dorothea
Greve
(Germany, Yiddish)
 For years,
Dorothea Greve has taught Yiddish language courses at
the University of Hamburg and crash courses at various
foreign universities. Additionally, she is the lead
singer and reciter of the KARAHOD ENSEMBLE and also
sings in the Klezmer ensemble FREJLECHS. She is a
founder of the Salomo-Birnbaum-Association for Yiddish
in Hamburg and used to perform in numerous
Yiddish-Jewish theatre productions. Furthermore, does
she translate Yiddish literature into German, e. g.
stories by the Ukrainian-Yiddish writer Alexander Lisen
or the diary about the ghetto and concentration camp
experience by Mascha Rolnikaite. In Weimar, Dorothea
Greve will repeatedly teach a beginner’s crash course in
Yiddish language.
________________________top_______________________________
Franka Lampe
(Germany, accordion)
 approached
the accordion first autodidactically, before she became
a student of Alan Bern.
She played with innumerable groups Klezmer and Eastern
European music, currently at "Federmentsh", "Ljuti Hora",
"Klezmers Techter", "Schikker wi Lot" and the "modern
klezmer quartet".
As a guest musician, she played amongst others with
"Brave Old World" (USA), "Sukke" (D / NL / GB) and "Di
Fidl Kapelye" (NL). As stage musician and composer she
is just as in demand at the Gorki Theater, the
Shakespeare Ensemble and the Black Swan Theater in
Berlin as a lecturer in "musica viva", the "AMJ" and the
"yiddish summer weimar".
Concert tours led Franka Lampe, inter alia, to Belgium,
Denmark, England, France, Holland, Austria, Poland,
Switzerland, Spain, Czech Republic, Tunisia and the
United States.
www.frankalampe.de
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Tcha
Limberger
(Belgien, voice/violin)
 was born
into a musical family of old, with each member playing
musical instruments (his grandfather was the legendary
Piotto Limberger). His Manouch tzigane father, Vivi
Limberger, and his Flemish-born mother Lut Bruyneel each
inducted him into their own culture. As a young boy,
Tcha was bent on becoming a flamenco singer. Aged
twelve, he started out on the clarinet, joining the
family orchestra, the Piottos. In due course, he swapped
the flamenco guitar for a Django guitar, learning how to
play with the likes of Koen De Cauter and Fapy Lafertin
as he went along. At the instigation of Dick Vanderharst
and Herman Schamp to name just two, he learned how to
analyse music, considerably widening his horizons in the
process.
When Tcha turned seventeen, he took up the violin and by
the time he was twenty-one, he left for Budapest where
he took classical and zigane musical classes from Horvat
Bela.
Following his return, he went on to play in or set up a
number of orchestras, making quite a few recordings as a
freelance instrumentalist.
http://www.myspace.com/limbergertcha
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Sanne
Möricke
(Germany, accordion)
 is one of
today's most highly sought after klezmer accordionists.
She performs for KHUPE (D) and SUKKE (D/NL/GB), teaches
at KLEZKAMP, KLEZFEST LONDON and other festivals and
played with FRANK LONDON'S KLEZMER BRASS ALLSTARS (USA),
Steven Greenman's STEMPENYU'S DREAM (USA), SUSAN WATTS,
JOANNE BORTS, MICHAEL ALPERT, VERETSKI PASS and many
others.
www.khupe.de
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Katharina
Müther
(Germany, voice/accordion)
 graduated
from Freiburg Music Academy and University in 1981 and
has been involved with Jewish music since her childhood.
She has appeared in various radio and TV-programs
(national and international), worked at Mannheim
Staatstheater in 1992/93 as stage musician in „Ghetto“
by Joshua Sobol and is now touring all over Germany,
Europe and the US. She lives near Freiburg im
Breisgau.Katharina loves teaching both individually and
in workshops about Yiddish and Sephardic music,
focussing on improvisation and arrangement of
songs.Since 2003 she is happy to be part of the teaching
team in Yiddish Summer Weimar.
www.voice-between-cultures.de
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Csaba Novak
(Hungary, bass)
 born in
1962 in Szolnok, Hungary, is from an all musicians
family. So it was only natural for him to start learning
music at an early age of 6. First he learned piano
playing, but as his father was a double bass player, he
was more interested in the double bass. At the age of 9
he continued his musical studies on double bass. At the
age of 12 he became member of the world famous Rajko
Music Band and School, where he continued both his
general and music studies. After finishing school he
went to play gipsy music in restaurants in Budapest. He
did that for almost 20 years. But something was missing…
It was then when he met Kalman Balogh cimbalom player,
and became the member of his world music group. Since
then he has played with many fine and famous musicians
in Hungary. At this moment he is member of two world
famous Hungarian music groups: the Balogh Kálmán Gipsy
Cimbalom Band, and the Palya Bea Quintet.
http://www.balogh-kalman.fw.hu
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Petar Ralchev (Bulgarien, accordion)
 was
born 1961 in the village of Poibrene, Pazardzhik
district. Aged 5 only, he played by ear the first folk
tune he heard from his uncle, an amateur musician. His
parents enrolled him into a music school and it was
there that he began from the very first grade, to learn
the secrets of the accordion under the guidance of
Kostadin Milarov. Later he was admitted into the Mihail
Mihailov’s class in Plovdiv. Those were the years which
provided a solid basis that has influenced his overall
growth as musician. In 1977 he was awarded the First
Prize at the Young Musician Competition held in Chirpan
while later on, at the International Competition in
Klingental, Germany, he was acknowledged for his
performance of a Bulgarian piece.
Today Petar works with almost all prominent musicians in
his sphere. Within a couple of years he made nine
releases of his performances, both solo and together. He
takes part in different festivals and performs in all
parts of the country and in Germany, Hungary, Norway,
Russia, Austria, Holland and other. In 1991 he toured
the major USA cities with “Bulgary”, a quintet
performing traditional Bulgarian folk music.
Petar participates in different musical projects and
seminars with European musicians: Stian Karstensen and
Jovan Pavlovich from Norway; Monique Lansdrop – Holland,
Kornel Horvath and Kalman Balogh – Hungary, Milcho
Leviev – Bulgaria, Enver Izmailov – Ukraine, Teodosii
Spasov- Bulgaria and others.
Petar Ralchev at YouTube:
www.youtube.com/watch?v=QJuzLjZghJM&feature=related
________________________top_______________________________
Stas Rayko
(Ukraine/Germany, violin)
 born in
Ukraine, the land which was called 100 years ago the
cradle of klezmer, Stas performed with his “Kharkow
Klezmer Band” and “Kedem” in Europe from Kiew to London
(Klezfest in London, "Donafest", Kalaka Folk festival,
"SKIF Festival", "Jewish festival in Krakov", "Jüdisches
Festival in Fürth", "X-block Barbican Festival",
"Helsinki KLezmer Festival", "Altonale",
"Klezmerwelten"). He teached regularly at “Klezfest St.
Pertersburg” and was a faculty member of "Klezfest in
Kiev", "Kharkov Klezmer Teg" "Klez Kanada",
"Klezmerseminar Wien" and Yiddish Summer Weimar (2006).
Since 2003 Stas lives in Germany.
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Adrian Receanu (France, clarinet)
 at the age
of 12 Adrian started playing clarinet in Moldova. In
1999 he performed at an international clarinet meeting
in the Bretonic village Glomel together with cimbalom
player Alex Ciobanu Moldavian music and discovered there
a lot of new facets of clarinet repertoire from all over
the world. Afterwards he enrolled at the national
conservatory of Boulogne-Bilancourt. In Jean-Max
Dussert’s master class Adrian improved his clarinet
playing. He also took part at ambitious courses of
ensemble coaching, workshops for chamber and orchestral
music and theory courses. Today Adrian lives in Paris
and performs regularly East European music at world
music festivals and concerts.
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Mark Rubin
(USA, bass/tuba)
 was born
to musician parents who met on the University of Arizona
marching band and nurtured their son's connection to
Judaism and his eclectic musical tastes. A life long
musician, the multi-talented Rubin is reknown as one of
the America’s most versatile sidemen, adept at a variety
of musical style and traditions. He was the founder of
the seminal American Alt-Folk pioneers The Bad Livers as
well as an in-demand sideman on the Texas honky tonk and
ethnic dancehall scene. He has also produced music for
two major motion pictures, writes regularly for
publication, hosted a popular late night radio program
in Austin for nearly a decade and has produced dozens of
American folk music CD's, including the Grammy nominated
Corason de Piedra for Tex-Mex accordion legend Santiago
Jimenez, Jr. He was recently elected Noble Grand of his
local Odd Fellows Lodge. Mark is an experienced Klezmer
bass and tuba player having played with a virtual
who’s-who of the modern Jewish music scene. He is a
member of Frank London's Klezmer Brass Allstars and
Henry Sapoznik & the Youngers of Zion and has also
worked on the faculty of Klezmer festivals around the
world including KlezKamp, Festival of Jewish Culture in
Kracow, Klez Fest London and many others.
A noted teller of tall tales and a master of hyperbole,
Rubin currently holds the title as “Best Pete Sokolow”
impersonation, Southwest Division.
www.markrubin.com
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Fabian
Schnedler
(Germany, voice)
 studied
voice with Andrea Hofmann and Jessica Ryder and has been
peforming Klezmer and Yiddish songs for over 10 years.
He has a degree in Literature and Ethnomusicology from
the Freie Universitaet in Berlin. He studied at Ernst
Busch, Germany’s principal drama school, and toured with
theatre companies including Robert Wilson’s ‘Saints and
Singing’. He is a pioneer in Yiddish Acoustic Pop Music
with his project Fayvish. He founded the duo „Schikker
wi Lot“ together with the accordeonist Franka Lampe five
years ago. Schnedler sings, plays the poyk and sometimes
leads dancing with Tants in Gartn Eydn Berlin’s popular
Klezmer dance band.
www.myspace.com/fayvish
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Guy Schalom
(United Kingdom, percussion)
 Described
by fROOTS magazine as “one of the most versatile and
interesting percussionists working in the UK today”
percussionist, dancer and independent record producer,
Guy Schalom has performed in the Middle East, throughout
Europe and North America. Having graduated with a degree
in Popular Music and Recording, Guy is particularly
sought after in the field of Jewish music and is among
the most in-demand klezmer drummers in Europe. It is
however the field of World Music in which Guy is most
well known. He has a busy touring schedule and has
worked with the likes of Frank London, The Klezmatics,
Josh "SoCalled" Dolgin, Michael Alpert, Susan Watts and
David Krakauer. He is a founding member of the
pan-European “Klezmer Alliance” as well Ukrainian
Village Brass Band “Konsonans Retro” featuring Berlin's
Christian Dawid and also runs his own duo:
“Schalom-Bakhshayesh”.
Music and Dance are closely linked and Guy works
regularly with Arabic dancers to convey this connection
combining choreographies and on-the-spot Improvisations.
He is co-artistic director of Egyptian Dance and Music
company “Raqs Wa Musica Al Masraya Ltd” presenting the
artistic and theatrical side of Raqs Sharqi and Egyptian
music.
www.guyschalom.com
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Adam Stinga (Moldova, trumpet)
 was
born in 1962 in the village Zirnesti, district Cahul. In
1985 he successfully graduated from the Institute of
Arts “Gavriil Muzicescu” from Chisinau. He collaborated
with many orchestras like “Lautarii”, “Busuioc
Moldovenesc”, “Mugurel”, “Joc” and has played many
concerts in countries like Italy, Germany, France,
Ireland, Finland, Swiss, and Latin America, etc. Adam
has recorded two CDs.
http://youtube.com/watch?v=87lPBuyYHAc&feature=related
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Links
to other
other-music-projects
www.diasporaredux.com
www.the-other-europeans.eu
www.other-europeans-band.eu
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